On the third Friday of the month, the museum's head gardener leads a one-hour walk through the garden's planted rooms, explaining flowers, varieties, and practical gardening tips. The official page lists May 15 and June 19.
The Monet exhibition stays open until 8:00 pm, with last admission at 7:30 pm, for a quieter evening visit. The official nocturnes page lists May 15, May 22, May 28, June 5, June 12, June 19, June 26, and July 3; the May 29 slot is moved to May 28 because of the piano festival.
This current temporary exhibition looks at Claude Monet's first Giverny years, from his 1883 arrival to the end of 1890, through around thirty works returned to the landscape where they were created. The official page says it reconnects the galleries with the poppies, poplars, meadows, rivers, and shifting weather that shaped Monet's early Giverny paintings.
Museum mediators lead French-language Sunday tours of the current Monet exhibition at 11:30 and 14:30. The official programme lists dates from May 10 to July 5, with no tour on June 7.
This June 20 workshop introduces palette-knife painting through a flower-garden theme. The official activities page presents it as an adult museum workshop.
On June 25, Jacques Bonnaffé reads from Monet's correspondence in a 6:00 pm event that the official programme presents as a way to discover the painter through his letters.
This free July 2 talk focuses on village social life at the end of the 19th century, extending the local context around Monet's Giverny years.
To mark the last day of the exhibition, the museum hosts a picnic under the apple trees on July 5 and offers an aperitif while visitors bring their own lunch. The official page also notes free exhibition entry for visitors who arrive in 19th-century costume.
This July 5 concert reworks famous opera excerpts for wind quintet, from Don Giovanni to Carmen, in a one-hour museum performance presented with the Opéra Orchestre Normandie Rouen.
This upcoming summer exhibition brings a new Daniel Buren in situ creation from the garden into the museum galleries. The official page says the installation places his striped visual language in dialogue with the Giverny setting and with works from the museum's collection.