This exhibition explores the intricate relationship between art and fashion through captivating statement pieces. It highlights how contemporary fashion design engages with the historical works housed within the Louvre, emphasizing artistic influences across time. Visitors will see a selection of 65 contemporary silhouettes that enter into poetic dialogues with the remarkable objects in the museum's collections, particularly those from the . Through this approach, the exhibition aims to illuminate the endless interactions between historical decorative styles and modern design.
For the first time in Europe, the Louvre Museum presents a major exhibition on the Mamluk Sultanate (1250-1517), aiming to explore the full richness and breadth of this golden age of Islamic Middle East, contextualized within a transregional perspective. The Mamluks constructed their legend on their military prowess. This exhibition features nearly 260 works, with one third sourced from the Louvre collections.
It is a relatively unknown fact that Chinese art is indeed well represented at the Louvre. The houses over 600 works of Chinese origin, primarily from the collections of Adolphe Thiers and Adèle de Rothschild, as well as from royal collections. Among these are true treasures. Recent studies have highlighted those from the Thiers collection, a journalist, historian, and major political figure of the 19th century (deputy, minister, president of the council, and finally president of the French Republic). The exhibition aims to reveal these exceptional works to the public, relating them to the historical, diplomatic, and cultural context of their creation and subsequent collection by Thiers. It shines a light on Thiers's previously lesser-known passion for China. It will feature over 170 works, predominantly from the 18th and 19th centuries: scrolls, album pages, engravings, prints, porcelains, jades, lacquers, ivories, bronzes, or wood inlaid with stones and mother-of-pearl... The first section will briefly present Adolphe Thiers, his unique perspective on art, his approach to collecting, and his passion for the Renaissance. The second section, forming the heart of the exhibition, will present the Chinese collection as a whole. Thiers, wanting to write about Chinese art, collected books about China, documents, and artworks simultaneously. The exhibition follows the major themes observable in his collection: ancient and contemporary history, images of China (landscapes, architecture, costumes), some key themes of Chinese culture (language, writing, literati), the 'three teachings' (Buddhism, Taoism, Confucianism), Chinese porcelain - of which he was a recognized expert, and finally, imperial art. In this last domain, the collection includes several masterpieces, including an exceptional scroll of Qingming Shanghe Tu created for Emperor Qianlong.
This exhibition focuses particularly on the funerary ensemble of Soutymès, the priest of the god Amon during the early 21st dynasty (1869 – 943 BC). It demonstrates how, based on documents compiled by Devéria, certain elements that had become separated over time could be reunited.
The Louvre’s Department of Near Eastern Antiquities presents ten significant works from the Metropolitan Museum of Art in New York, which is currently undergoing renovations. This exhibition fosters a unique dialogue between these two renowned collections, displayed in the Louvre's permanent galleries. These special guest artworks, dating from the late 4th millennium BC to the 5th century AD, reveal fascinating connections with the Louvre’s own collection. In some cases, pairs of objects have been rejoined for the first time, while in others, pieces complement each other due to specific historical features of their respective collections. Representing regions from Central Asia to Syria, Iran, and Mesopotamia, this exhibit invites visitors to (re)explore these extraordinary ancient works of art and the timeless stories they convey.
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