The creation of the opera house - for the protection of the emperor
The idea to build a new opera house goes back to the attempted assassination of Napoleon III. and his wife on January 14, 1858, in the former opera near the present Opéra Garnier. After this incident, he wanted to have an opera built that would allow him safe access to the evening social event. At that time, the approach of the selection process, who should become the architect of the building, was unusual. The Emperor launched a major competition in which 171 builders participated.The still unknown architect
The entries in the competition were anonymized and thus the young builder and architect Charles Garnier, who had previously only built a rental house, was selected. His pompous ideas went hand in hand with the planned redesign of the city of Paris. To realize the large project and strengthen the statement, houses were even demolished to create a large access road, the Avenue de l'Opéra. The assigned building site also inevitably resulted in the structure of the building, Garnier opted for a symmetrical design. One of the two side pavilions served 200 high-ranking box subscribers, the other broke the symmetry and would have served the emperor, who could have entered the loge unnoticed.
The Grand Staircase of the Opera | Photo: Unsplash, Laila GebhardComplicated Construction
Construction of the Opéra Garnier began in 1860, but it quickly became apparent that due to the high groundwater level, construction would be hampered. The project also came to a halt due to the Franco-Prussian War, with the building even serving as a food store for a time. When a fire broke out in the then opera house in 1873, it was decided that the Opéra Garnier should be completed. After 15 years of construction, the opera house could finally be opened. However, Napoleon III never saw it, as he was expelled from the country during the war and remained abroad until his death in 1873.
The staircase of the opera | Photo: Unsplash, Caleb MaxwellThe Opera in Numbers
The Opéra Garnier was inaugurated in 1875 and was once the largest theater building in the world, until it was overtaken by the Opéra Bastille in 1989. The total area of the opera amounts to 11,237 m² (221 ft²) and looks significantly smaller due to the course of the new streets. The magnificent hall can accommodate 1900 spectators. Up to 450 artists can appear on stage at the same time. The stage technology is amazingly advanced, here 15 meter high sets can be created and disappear. A special feature of the Opéra Garnier is also the adaptability of the stage, which can be extended for large sceneries. This hidden space was formerly used as a dance hall and today is mostly used as a rehearsal hall.Garnier's attention to detail
The neo-baroque style and the luxurious furnishings were part of the program when the opera was built. The imposing extent of Garnier's planning ideas becomes clear even when you enter - the generous staircase, the Grand Foyer, or the round Salon du Glacier invite you to marvel. During a visit to the opera, the spectators became performers - seeing and being seen was the motto here. The spacious auditorium is also rich in decorations, with gold leaf, red satin and velvet creating a fantastic interplay. The crowning glory of the hall is the eight-ton chandelier.The magnificent Grand Foyer
Rich gold embellishments, the colorful ceiling fresco and the opulent chandeliers make the Grand Foyer probably the most sumptuous room in the Opéra Garnier. This room was mainly used during intermissions and at the end of the performances. From here you can also get to the balcony, which offers a great view of the city of Paris. At the two ends of the foyer are the warmly decorated Salon du Soleil and the cool-looking Salon de la Lune. Originally, the Salon du Soleil was to serve as a foyer to the smoking room, but in the hurry of completion, the decorator swapped the two salons, with the Salon de la Lune finally serving to consume sorbet.
The ceiling painting by Marc Chagall | Photo: Unsplash, Mahdi SamadzadThe new ceiling painting
A special feature in the auditorium is above all the 220 m² ceiling painting (2370 ft²) by Marc Chagall from 1964, to reflect a more modern style. The old ceiling painting was not painted over, but is still located behind the new canvas painting. The painting is supposed to represent the "Hymn to Music" and combines over a dozen of the most famous operas and composers of the Western world like Mozart's "Magic Flute" or Igor Strawinsky's "Firebird". The saturated colors and the round shape of the fresco give the painting movement and harmony.
The boxes of the opera | Photo: Unsplash, Gio AlmonteThe Phantom of the Opera
The aforementioned myth of a phantom supposed to be living in the opera house originated from the frightening noises of the underground perceived during the first performances and an accident with a chandelier, in which a concierge was killed. This legend of the phantom of the opera was also reinforced by the existing groundwater collection basin and the labyrinthine corridors of the opera, where the phantom can hide well. The loge 5, the phantom's spectator room, can still be visited on the first floor today.